The Stars Fell on Alabama: Southern Black Renaissance is a fleeting glimpse of a cultural phenomenon too large for any museum or gallery to hold. The exhibition highlights works produced between the 1980s to present day by seven artists from Alabama whose talents are emblematic of an expansive cultural revolution. The vast majority of these artists’ peers created works that were seen by too few eyes in settings that were overwhelmingly non-institutional, non-commercial, and perhaps intractably local. The focus on Alabama, particularly on the Birmingham metro area, is a reflection of the state’s role as epicentre and unintentional but logical host for a confluence of artists, five of whom continue their work today. The exhibition is produced in collaboration with MARCH. Ranging from mixed media painting to assemblage sculptures and quilts, the works in the show come directly from artists and artists’ estates, as well as definitive private collections from the region. In the month of November 1833, the stars fell on Alabama. The mass witnessing of a Leonid meteor shower burned a deep impression in the memory of Alabama’s denizens and ultimately gave rise to a book and popular songs, ultimately earning an official place on every motorist’s license plate.
Meteor shower as metaphor: A meteor shower is a celestial event in which a number of meteors are observed to radiate, or originate, from one point in the night sky.
Edel Assanti, London. Closes 30th November, free entry.
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